By Nermeen Nabil Khear 
Twin Peaks debuted 35 years ago on ABC on April 8, 1990, creating an instant sensation. Although the late, great David Lynch and Mark Frost’s series only lasted two seasons initially, its pop culture impact and long-term influence were as strong as any television series in history. To celebrate three and a half decades of mystery, murder, and delicious donuts, here are 20 ways Twin Peaks changed the pop culture landscape.
1. Blurring the Lines Between Film and Television
Before Twin Peaks, the worlds of film and television were almost totally separate entities. Film was regarded as an art form that pushed boundaries, and TV was generalized by most as “the idiot box.” But when an Oscar-nominated director like David Lynch brought his idiosyncratic vision to network television, those lines began to slowly evaporate. Over three decades later, those lines no longer really exist, as evidenced by all the great filmmakers and film actors working in television. And Twin Peaks became ground zero for this.
2. The “Mystery Box” Series
J.J. Abrams might have coined the term “the Mystery Box” to describe the driving narrative force in the kinds of series he makes, but he didn’t invent the concept. While Lost might have popularized the notion of a (usually supernatural) mystery lying at the heart of a serialized series, it’s fair to say that Twin Peaks set the standard for this kind of TV storytelling way back in 1990.
3. Mixing Genres
Before Twin Peaks, narrative network TV was very strictly categorized. You were a procedural, a sitcom, or a soap opera, with very little variation in between. But Twin Peaks was as much a nighttime soap as it was a detective show as it was supernatural horror, and as it was an absurdist comedy. These days, shows mix genres all the time—Buffy the Vampire Slayer also helped push this idea along in a big way — but it was Twin Peaks that really broke that mold.
4. The Importance of the Soundtrack to TV
The musical score has long been widely acknowledged as a crucial part of what makes a film work. But for ages, no one thought much about the actual music within an episode of your standard show, outside of a series’ theme song. Angelo Badalamenti’s moody, jazzy score for Twin Peaks was unlike anything else heard in mainstream television. In its wake, it pushed other shows to do better when it came to their musical scores. These days, a TV show’s music is a key ingredient to its success.
5. Multimedia Narratives
Popular franchises had tie-in novels and other media before, most notably Star Trek and Star Wars. But they were never considered canon, or essential parts of the narrative. But in 1990, David Lynch’s daughter, Jennifer Lynch, wrote The Secret Diary of Laura Palmer, a crucial piece of the overall Twin Peaks storyline. Even Agent Cooper’s audio tapes came out in audio form as part of the official story.
When Twin Peaks: The Return arrived in 2017, co-creator Mark Frost released two novels to bookend the season, The Secret History of Twin Peaks, and The Final Dossier. These days, every major franchise has an official tie-in that occurs outside the main film or series, whether it’s a book, a game, or a website. If Twin Peaks wasn’t the first to do it, it certainly was the first to do it well.
6. The Season-Long Murder Mystery
Before Twin Peaks, criminal investigations on television tended to wrap up in an episode or two. The infamous “who shot J.R?” whodunit on Dallas in 1980 tested audience patience for its time. And the mystery only lasted four episodes! But Twin Peaks’ murder mystery lasted half the series. The mystery of teenager Laura Palmer’s death inspired season-long murder investigations on everything from The Killing to season one of True Blood. The recent HBO series True Detective: Night Country was overflowing with Twin Peaks vibes with its season-long murder mystery. Even The White Lotus has these elements in play. But Twin Peaks undoubtedly popularized it for the mainstream.
7. Small Town Weirdness
The notion of a small, idyllic American town holding strange secrets is now a staple of genre TV storytelling. Think Sunnydale, California on Buffy, or Wayward Pines. Probably the most popular recent example of this is, of course, the town of Hawkins, Indiana on Stranger Things. Even Marvel referenced this creepy small town feeling with WandaVision’s town of Westview. But when it comes to small towns with a weird vibe on TV, all roads lead back to Twin Peaks, Washington.
8. Subverting Americana
Much of Twin Peaks’ original appeal to audiences at the time was showing the shadowy side of classic, wholesome Americana. It wasn’t the first time this was done, or even the first time David Lynch experimented with this material (see also: Blue Velvet). But Twin Peaks certainly mainstreamed the idea that behind every white picket fence and wholesome diner was someone’s dark secret. Not only have tons of other media followed Peaks in exploring this, but one can say singer Lana Del Rey’s whole musical career is this. And speaking of musical careers…
9. Moby’s Musical Career
He’s considered a legend in the world of EDM now, but in the early ‘90s, Moby was just a young artist starting out in the music industry. His very first club hit in 1991, however, was “Go,” which famously sampled “Laura Palmer’s Theme” by Angelo Badalamenti. His Twin Peaks fandom would come full circle when he’d play at the Roadhouse with Rebekah Del Rio in 2017’s Twin Peaks: The Return.
10. Surrealism on TV
In the decades since the series debuted, a lot of modern TV has caught up to the things that made Twin Peaks revolutionary. But one thing Twin Peaks did that few shows have followed up with is David Lynch’s trademark surrealism. But just because few series have gone as full tilt weird as Twin Peaks did, that doesn’t mean none have. The FX/Marvel series Legion certainly followed in Peaks‘ surrealist wake, as did Black Mirror and Sense8. But if you ask us, none of them can touch Lynch’s trademark weirdness.
11. Internet Fandom
These days, every show has a Reddit thread or a YouTube channel trying to unpack plot points. But in 1990, few people outside of universities had ever even heard the term “internet.” In those early days, Twin Peaks made for one of the most popular discussions on what was then a little known thing called Usenet. Series co-creator Mark Frost was once given reams of paper that were printed out from fan discussions on something called “alt.tv.twin-peaks.” Right there was a glimpse at the future of how fans would interact with all of their favorite series.
12. The ’90s “Grunge Aesthetic”
When Nirvana broke big in 1991 with their album Nevermind, the Seattle grunge rock sound took over the country. And soon, so too did their entire fashion aesthetic. But further up north from Seattle, bad boy Bobby Briggs (Dana Ashbrook) was sporting the look that would define the ‘90s — flannel, boots, a leather jacket, and a mop of floppy hair. And he did it all a year before most people knew who Kurt Cobain and Eddie Vedder even were.
13. Giving Seasoned Film Actors a Second Act on TV
Back in the ’60s, actors like Richard Beymer and Russ Tamblyn were movie stars who headlined in West Side Story, and Piper Laurie was an Oscar-nominated actress. But Hollywood had left them behind once they hit a certain age, as Hollywood tends to do. Lynch and Frost cast them in Twin Peaks, giving them all a second act that garnered them much acclaim, and proved that movie actors can find fulfilling work on TV after their days of box office success were behind them. This is now par for the course of much “prestige television.”
14. The Term “Prequel”
There had been movies that took place chronologically before their previous installments before David Lynch’s feature film version of his series. One ood example is The Good, the Bad, and the Ugly back in the ’60s. But the term “prequel” wasn’t really used. But despite what one might think today, Star Wars wasn’t the first time one read the term prequel in the media about a then-upcoming movie. It was with 1992’s Twin Peaks: Fire Walk With Me. Since then, prequel has become a term and concept everyone knows, and a go-to Hollywood tradition.
15. Enormous Casts
Most TV series before Twin Peaks only had a handful of main characters. Even the daytime soaps had maybe 15 or so regular and recurring actors. Then Twin Peaks pilot introduced a whopping 33 main characters in its first 90 minutes, all of whom had their own plotlines and story threads. And the characters only increased from there. This was overwhelming to most audiences at the time, but it set the standard for later shows with a “cast of thousands” like Lost and Game of Thrones.
16. Popularizing the Horror TV Series
There had been horror elements in television before, namely shows like Night Gallery, Dark Shadows, and arguably, The Twilight Zone. But few TV shows that dabbled in horror were as legitimately scary as Twin Peaks was. Much of Lynch’s imagery from the show is legitimate nightmare fuel, truly groundbreaking for network TV in the ‘90s. Nowadays, the horror TV show is everywhere, chief among them Stranger Things. But Twin Peaks laid the groundwork for it all.
17. Video Games
While tons of other TV shows have mimicked Twin Peaks in various ways, the creators of video games like Deadly Premonition, Alan Wake, and several others have very obvious Twin Peaks influences.
18. Equally Iconic Parodies and References
Twin Peaks has been referenced in countless other media over the past three decades, and many of these references are now as memorable as Lynch’s series itself. This began when this show was still on the air, like with Sesame Street’s very own “Twin Beaks.”From Chief Wiggum’s dream in The Simpsons, to the Anthrax song “Black Lodge,” to Alicia Silverstone having a “Twin Peaks experience” in Clueless, to even Scooby-Doo, all of these classic pop culture moments couldn’t have existed without Peaks to inspire them.
19. Mining the Urban Legend of Project Blue Book
There have been urban legends about the U.S. government’s investigations into UFO phenomenon for decades, along with stories about the Air Force’s real-life Project Blue Book cases. Twin Peaks used these studies as a source for its mythology; the series’ narrative really started mining Project Blue Book in a big way, years before X-Files and History Channel’s recent Project Blue Book series.
20. The F.B.I. as “Investigators of the Bizarre”
FBI Agents as protagonists in media goes back to the earliest days of the bureau in real life. But they were usually just portrayed as glorified cops, working on mundane cases. Then, came Twin Peaks’ Agent Cooper, who reinvented the FBI Agent as almost someone who solves crimes that are beyond the norm. After that, we got Silence of the Lambs, and most famously, The X-Files. All of which elevated the FBI Agent archetype in fiction as something more than a police officer in a well-tailored suit. They were who you called in when things got weird.
21. Proof That the Emmys Don’t Always Get It Right
Twin Peaks was nominated for a then-whopping 16 Emmys during its two-year run. But it was basically snubbed in all categories, losing Best Dramatic Series twice to L.A. Law. But here we are, still talking about the show 30 years later. Twin Peaks wound up starting a tradition of groundbreaking left-of-center shows getting little to no love from the Television Academy. Buffy and The Wire were similarly snubbed, and yet are widely accepted as revolutionary today. In many ways, Twin Peaks was the first series to show that the Academy doesn’t always know best.
And no shade against L.A. Law, but there’s not an “L.A. Law Day” on social media. And not that many people are sporting tattoos of it these days. Twin Peaks sure does have its fair share of them though.
Alicia Friedman / Alexandra Novotna
These days, every show has a Reddit thread or a YouTube channel trying to unpack plot points. But in 1990, few people outside of universities had ever even heard the term “internet.” In those early days, Twin Peaks made for one of the most popular discussions on what was then a little-known thing called Usenet. Series co-creator Mark Frost was once given reams of paper that were printed out from fan discussions on something called “alt.tv.twin-peaks.” Right there was a glimpse at the future of how fans would interact with all of their favorite series.
22. “Lore” Becoming Key to a Show’s Success
The concept of “lore” wasn’t very common on television before Twin Peaks. Especially shows that weren’t straight-up sci-fi like Star Trek, or high fantasy like Game of Thrones would be later. But Twin Peaks created its own entire mythology from whole cloth, something mimicked famously by other TV shows like Lost, Westworld, Severance, and most recently, Fallout, which also stars Kyle MacLachlan.
23. Mulholland Drive
This may feel like an odd inclusion, as it’s another David Lynch project, but his Oscar-nominated film Mulholland Drive only exists because of Twin Peaks. At the height of the show’s popularity, David Lynch conceived of Mulholland Drive as a TV series, focusing on Sherilyn Fenn’s character Audrey going to Hollywood to become an actress. Eventually, ABC made the pilot episode in 1999, with the Twin Peaks connections removed. ABC passed on the series, so Lynch reworked the pilot into a feature film, one now considered one of Lynch’s best. Interestingly, the proposed Audrey Horne storyline for the series found new life in 2017’s Twin Peaks revival.
24. Positive Trans Representation on TV
Agent Denise Bryson (David Duchovny) was not the first trans character on a network TV show. But until Twin Peaks, trans characters were usually part of “A very special episode” of a series, quickly vanishing, played for laughs, or a deranged killer. In Twin Peaks, Denise was not any of those things. She comes in for several episodes, proves herself a capable agent, helps save the day, and for the most part, no one is weird about it. Some elements are problematic by today’s standards (Duchovny is a cis actor, for starters), but it’s miles ahead of where most media was at the time. Perhaps to pat themselves on the back for being so forward-thinking, Lynch and Frost promoted Denise to the head of the F.B.I. for The Return in 2017.
25. HBO’s Watchmen
It’s still too soon to really assess what effect the long-awaited third season of Twin Peaks has had on pop culture overall. Twin Peaks: The Return was critically acclaimed but divisive among fans. Among those who loved it was HBO’s Watchmen creator Damon Lindelof. He has already admitted that his series drew much inspiration from David Lynch’s epic “18-hour movie,” which aired on Showtime in 2017. There are a ton of similarities between the series, and they even had one important needle drop in common to cement that connection. So if you loved Watchmen, in part you’ve got David Lynch and Mark Frost to thank.
The post 25 Ways TWIN PEAKS Changed Pop Culture appeared first on Nerdist.
This articles is written by : Nermeen Nabil Khear Abdelmalak
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