By USA Goldmines 
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The descriptor “science fiction and fantasy” serves as an umbrella term for fantastical stories all the time, but if you look closer, the genres each contain multitudes.
A sci-fi/fantasy movie might be an alien invasion blockbuster; a bloody sword-and-sorcery epic; or a quiet, reflective fable. What these movies all have in common is the imagination to think outside of the world we can see from the window. Here are 30 of the best you can stream on Netflix right now.
Dungeons & Dragons: Honor Among Thieves (2023)
I wasn’t expecting much from this adaptation of a game with an impenetrable mythology, and which had previously garnered a string of fairly dismal adaptations. Happily, it turns out to be unexpectedly delightful: funny, action-packed, and respectful of the franchise without getting bogged down by decades of lore. Chris Pine stars as bard Edgin Darvis, imprisoned after a heist gone wrong but hoping to be reunited with the daughter, who’s since come under the influence of ambitious con artist Forge (Hugh Grant). Luckily, he’s got help from Holga (Michelle Rodriguez), a barbarian with a heart of gold, who cares as much about Edgin’s daughter as he does. It makes the case that IP movies don’t have to be soulless. You can stream Dungeons & Dragons here.
Blade Runner (1982)
Back in 1982, Ridley Scott’s influential Philip K. Dick adaptation painted a vision of the future back that we’re still living with today (though the Cybertruck may well put the aesthetic to bed once and for all). Images of a rainy Los Angeles filled with impossibly tall skyscrapers, floating cars, and endless electronic advertisements are indelible, so much so that style nearly outweighs the substantial plot: Harrison Ford plays Rick Deckard, a Blade Runner for the LAPD charged with hunting down and “retiring” replicants, bioengineered humans who were created as workers but who’ve outlived their usefulness. You can stream Blade Runner here.
Damsel (2024)
Millie Bobby Brown (Stranger Things, Enola Holmes) is practically the face of Netflix these days. In this dark fantasy from director Juan Carlos Fresnadillo (28 Weeks Later), she plays Elodie, the titular damsel, who’s been offered into an arranged marriage by her family. It doesn’t sound too terrible, until she learns that it’s all been part of an elaborate ritual sacrifice intended to keep a dragon from destroying the kingdom. Lucky for her, she’s far more resourceful than her in-laws give her credit for. First goal: get out. Second goal? Get even. You can stream Damsel here.
Paradise (2023)
Time is a literal commodity on this German sci-fi dystopia. Max (Kostja Ullmann) works for the appropriately named Aeon, a tech company that buys time (as in years) from the poor to extend the lives of its wealthy and powerful clients. He’s great at his job, but it doesn’t matter much when his condo burns down and he’s liable for the loan backed by 40 years of his wife Elana’s life. Suddenly married to a senior citizen, he’s determined to get his wife’s time back, whatever the cost. You can stream Paradise here.
Nimona (2023)
Based on the graphic novel from ND Stevenson, Nimona traveled a rocky road to the screen, surviving delays, company shut-downs, the pandemic, and pressure from Disney to tone down its queer themes. Luckily, none of that drama made it into the finished product (eventually brought to streaming by Netflix). It’s a heartfelt, joyful, and funny fantasy set in a futuristic world full of medieval trappings. Ballister Boldheart, alongside his boyfriend Ambrosius Goldenloin, is about to be knighted by the queen, the first commoner ever to receive the honor. It’s all good, until he’s framed for the queen’s murder and forced to flee, becoming the criminal that the snobs already took him for. Luckily (or not) he’s joined by Nimona, a teenager outcast shunned for her shapeshifting powers. The two work together to clear Ballister’s name, even as Nimona has things to teach Ballister about living authentically. You can stream Nimona here.
The Old Guard (2020)
The comic-inspired Netflix film stars Charlize Theron as Andromache, the sometimes-leader of a group of immortal-ish individuals who are already centuries old as the film starts. They generally work as mercenaries when the cause is right, but find their group starting to splinter in the face of a new threat: Modern technology has made it harder to hide their secret, and a pharmaceutical exec has plans to capture them, figure out why they’re immortal, and then make a sellable product. The movie’s a solid blend of comic-book heroics and mercenary-movie action, with a sequel on the way. Shortly after this, director Gina Prince-Bythewood made the historical action-drama The Woman King, also on Netflix. You can stream The Old Guard here.
Circle (2015)
It’s alien abduction for the Squid Game generation, this one picks up in the aftermath of a mass snatching. Circle opens on 50 people waking up in a dark room. They’re on platforms from which they can’t move on pain of laser-inflicted death, and they quickly realize they’re trapped in a game with simple, specific rules: Via hand gestures, they’re meant to vote on the next person to die (if not, someone is chose at random every two minutes). It’s a sick scheme enacted by would-be invaders, but it’s also a study of our species, and reaches some not-entirely-flattering conclusions about how quickly we’ll throw each other under the bus (er, laser beam). You can stream Circle here.
Godzilla Minus One (2023)
Eschewing the more-is-more approach of the American Godzilla series, writer/director Takashi Yamazaki offers up this reminder that Japanese filmmakers really know their monster king. A prequel of sorts to the original 1954 film, this one finds kamikaze pilot Koichi Shikishima (Ryunosuke Kamiki) encountering Godzilla multiple times over the years following World War II. That wartime trauma, which harkens back to the original film, lends this one a kaiju-sized emotional weight. Nearly as important: the masterful, Oscar-winning visual effects make Godzilla scary again, and the action sequences have real weight and stakes. You can stream Godzilla Minus One here.
Godzilla x Kong: The New Empire (2024)
Where the Japanese iteration of the franchise has gone back to Godzilla’s roots for a deeper, more emotionally satisfying story involving that country’s nuclear terror in Godzilla Minus One (also on Netflix), the American spinoff series is doing very well for itself with a bit of counter-programming. Leaning on the wilder and more outré elements of kaiju lore, director Adam Wingard and company toss everything at the wall to see what sticks; the result is goofy, colorful, and generally a fair bit of fun—if endless giant monster fights don’t give you too much of a headache. You can stream Godzilla x Kong here.
The Call (2020)
I love a good time travel horror movie (a specific but venerable genre that includes the likes of Timecrimes, Triangle, and Happy Death Day). This one involves Seo-yeon (Park Shin-hye) visiting her childhood home in 2019, only to discover that an old cordless phone still works (never a good sign), and connects her to Young-sook (Jeon Jong-seo), living in the house in 1999. The two bond over shared experiences, but things soon go very wrong when Seo-Yeon tells the other young woman about the future, and influences her to make changes. It’s clever and disturbing, with a solid high concept. You can stream The Call here.
Reversi (2024)
Did I mention that I like my movies with a bit of time travel? This effective Malaysian import stars Beto Kusyairy as Akid, a police negotiator who loses his wife and son to tragedy—fortunately for Akid, though, he has a genetic propensity for time travel. But each trip to the past knocks a bit off of Akid’s own lifespan, and he soon discovers that trying to rewrite history can be at least as traumatic as moving on from loss. You can stream Reversi here.
Ultraman: Rising (2024)
This Japanese-American co-production reboots the beloved half-century-plus franchise with help of director Shannon Tindle and co-writer Marc Haimes (both of the brilliant Kubo and the Two Strings). Professional baseball player Ken Sato returns home to Japan when he inherits the mantle of (you guessed it!) Ultraman from his retired father. The stylish animation is lovely and there plenty of family-friendly action, but it wouldn’t work half as well without the emotional arc: egotistical sports star Sato needs to reconnect with his distant father, even as he becomes the unwilling parental figure to an orphaned kaiju child. You can stream Ultraman: Rising here.
Conan the Barbarian (1982)
It might not be exactly what prolific writer and Conan-creator Robert E. Howard had in mind but it’s a lot of fun in a shirtless, sweaty, sword-and-sorcery kind of way. It’s the movie that kicked off a pretty cool cycle of ‘80s fantasy films, and also gave Arnold Schwarzenegger his big cinematic break. A long-haired James Earl Jones also offers up his second-most-memorable villainous performance as evil sorcerer Thulsa Doom. You can stream Conan the Barbarian here.
See You Yesterday (2019)
See You Yesterday tricks you into thinking you’re signing on for a sci-fi romp—an early cameo from Michael J. Fox seems to underline it. As it begins, young prodigies CJ Walker (Eden Duncan Smith) and Sebastian Thomas (Dante Crichlow) develop a time machine and plan to test it by traveling back one day and scrupulously avoiding making any changes. Shortly after, the Spike Lee-produced film takes a dark turn: CJ’s older brother is shot and killed by an NYPD officer who mistakes a phone for a gun. CJ tries again and again to save him, but is frustrated as each attempt goes wrong in a new way. It’s not an entirely downbeat movie, but, in the best sci-fi tradition, the high concept at its core has more down-to-earth relevance. You can stream See You Yesterday here.
The Midnight Sky (2020)
There’s quite a bit derivative in this George Clooney-directed film, but it’s also quietly poignant in ways that modern science fiction rarely is. That’s a very specific mode, but refreshing in its way. Clooney plays Augustine, a scientist with a terminal condition in 2049 who’s become one of the very few remaining humans alive on Earth after some unknown event left the surface contaminated with radiation. He discovers that a mission from a moon of Jupiter is on its way back to Earth, and makes it his mission to warn them that the planet is no longer hospitable—a mission complicated by the discovery of a young girl he feels the need to protect. You can stream The Midnight Sky here.
The Platform (2019)
OK, the metaphor is a little heavy-handed: In a large tower, euphemistically referred to as the “Vertical Self-Management Center,” food is delivered in a shaft that stops on each floor from the top down: those near the top get to eat their fill; those at the bottom get scraps. The Spanish-language thriller is wildly violent, but inventive, and it’s not as if real-life capitalism is particularly subtle in its deprivations. You can stream The Platform here.
What Happened to Monday (2017)
Tommy Wirkola, director of the recent David Harbour Christmas-themed action movie Violent Night and the upcoming Spermageddon, helmed this high-concept science fiction story about the perils of overpopulation. In the near-ish future, a one-child policy sees spare kids frozen cryogenically until such time as they can be either become colonists on another planet, or until Earth finds more resources—whichever comes first. Think Children of Men, but a bit goofier. Glenn Close is in charge of enforcing the policy, while Willem Dafoe plays the grandfather of identical septuplets. He comes up with a plan to keep all the kids out of the freezer: they’ll take turns playing at being the same person (Noomi Rapace, in multiple roles). Ridiculous, but fun. You can stream What Happened to Monday here.
Rebel Moon (2023)
Zack Snyder, late of the entire DC cinematic universe, inspires passionate opinions all around—but his science fiction Army of the Dead followup can’t be faulted for lack of ambition. It’s a multi-part (currently unclear how many parts that will be) space opera that blends Snyder’s distinctive visual style with Star Wars-style action. Sofia Boutella stars as a former soldier who rallies warriors from across the galaxy to join in a revolt against the imperial Motherworld on the title’s out-of-the-way farming moon. You can currently catch part one (aka A Child of Fire) and part two (The Scargiver), as well as an R-rated director’s cut of the first movie. You can stream Rebel Moon: A Child of Fire here.
The Curse of Bridge Hollow (2022)
Halloween movies are valid at any time of year, so there’s no reason to hold off on this family-friendly seasonal fantasy. The Howard family has moved to the town of Bridge Hollow just in time for the holiday, and daughter Sydney (Priah Ferguson of Stranger Things) couldn’t be more exited about the town’s holiday spirit. Dad (Marlon Wayans), on the other hand, is all about the science and hates the spooky nonsense—mom Kelly Rowland often left to referee. The family has to try to come together, though, when Sydney accidentally frees a ghost who makes an army out of the town’s decorations. Whoops! You can stream The Curse of Bridge Hollow here.
Bubble (2022)
From Attack on Titan and Death Note director Tetsurô Araki and an all-star creative team, Bubble finds Tokyo cut off from the rest of the world when reality-bending bubbles rain down on the city (shades of Stephen King’s Under the Dome, perhaps). Anime fans were almost certainly on the lookout for the gorgeous, parkour-infused love story, but anyone who loves animation (or great sci-fi films in general) should check it out. You can stream Bubble here.
My Father’s Dragon (2022)
Based on Ruth Stiles Gannett’s 1948 children’s novel of the same name, and geared toward even younger audiences than the other all-ages animated movies on this list, My Father’s Dragon still has plenty to recommend it to just about anyone—along with more emotional intelligence than many movies made for adults. In the film, a boy named Elmer (Jacob Tremblay) and his shopkeeper mother, Dela (Golshifteh Farahani) leave their tight-knit town in favor of a bigger city—though the promise of better circumstances doesn’t quickly materialize. Elmer’s patience is rewarded, though, when a talking cat invites him to take a beautiful, candy-colored adventure. The movie is from the director of the The Breadwinner, set in modern-day Afghanistan, and Cartoon Saloon, production company behind animated movies like the beautiful Irish folk tale, Wolfwalkers. You can stream My Father’s Dragon here.
The Wandering Earth (2019)
The title isn’t a metaphor: this Chinese blockbuster is literally about what happens when the Earth goes off-course, and the people who come together to keep it from smashing into Jupiter. The whole thing begins when a rogue red giant threatens to engulf the Earth within a century, leading the nations of the world to come together around building giant engines to shove us out of the way. It’s bonkers in the best possible way, with special effects that easily outpace those of many American blockbusters. The human element here is also a plus, as the movie makes room for a broad ensemble of interesting characters, suggesting that great things (like not hitting Jupiter) happen when people work together. You can stream The Wandering Earth here.
Space Sweepers (2021)
It doesn’t entirely reinvent the wheel, but there’s a refreshing focus on the underclasses of the future, without edging too far into the dystopian. I’m not the first to make a comparison between Space Sweepers and Cowboy Bebop, but, given the recent and speedy failure of Netflix’s live-action version of that cartoon, it’s not going too far to say that you’ll find a better encapsulation of Bebop’s spirit of rag-tag found family and its outer space western milieu here then in the live-action show that bore its name. What this one lacks in originality, it makes up for in engaging characters and extravagant special effects. It’s also nice to see a less American-centric perspective on the future. You can stream Space Sweepers here.
The Block Island Sound (2020)
Strange doings are afoot on Block Island, the most obvious of which are the vast numbers of dead fish that keep washing up on shore. More alarming though is the behavior of one of the local fishermen, Tom, who keeps waking up in strange places and generally losing time. His daughter Audry (Michaela McManus) works for the Environmental Protection Agency and is sent to investigate the mass fish deaths; she brings along her daughter and reunites with brother Tom (Chris Sheffield) along the way. Together, they discover no ordinary environmental catastrophe is to blame for all the dead fish, as the film blends the family drama and the eerie local events as it builds to a fairly chilling climax. You can stream The Block Island Sound here.
They Cloned Tyrone (2023)
This genre mashup from debut director Juel Taylor spins plenty of plates, and mostly manages to keep them from crashing down. John Bodega stars as Fontaine, a drug dealer in a Blaxsploitation-inspired world just this side of our own. Following a showdown with one-time Pimp of the Year Slick Charles (Jamie Foxx), Fontaine is shot dead, but awakens the next day in his own bed with nothing seemingly having changed. Teaming up with Slick Charles and sex worker Yo Yo (Teyonah Parris), he dives into an unlikely web of scientific conspiracy, the gist of which you can kinda get from the title. A sci-fi genre parody shouldn’t work nearly so well, but the stellar cast and assured direction from Juel Taylor sell it. You can stream They Cloned Tyrone here.
Dune: Part Two (2024)
The fickle nature of streaming means that you can only watch the second part of Denis Villeneuve’s Best Picture-nominated epic on Netflix, so you’ll want to catch that one first, then rejoin Villeneuve and company for the conclusion (for now) of the journey, and descent, of exiled Duke Paul Atreides (Timothée Chalamet) as he joins with the Fremen of Arrakis to overturn the colonial rule of the Harkonnens—or perhaps just to restore his own power. With an epic, thoroughly cinematic scope, and tremendous performances, particularly from Zendaya as Fremen warrior Chani and Rebecca Ferguson as Paul’s thoroughly relentless mother, Lady Jessica, it’s a sci-fi epic like no other. You can stream Dune: Part Two here.
Furiosa: A Mad Max Saga (2024)
This Fury Road prequel is every bit the thrill-ride it’s predecessor was, even as it slightly dials back the action in favor of a bit more emotional complexity in and around our titular ass-kicker. Anna-Taylor Joy takes over from Charlize Theron as Furiosa, born into the Green Place of Many Mothers, one of the last remaining oases in a radioactive, post-apocalyptic Australia. When she’s taken by warlord Dementus (Chris Hemsworth), she winds up on a decades-long journey to get home. Even after four decades of Mad Max movies, George Miller is still innovating. You can stream Furiosa here.
Okja (2017)
A Korean-language sci-fi fantasy about a girl and her genetically modified pig might not sound like an easy sell, but the movie certainly attracted more much-deserved attention when its director, Bong Joon-Ho, won one of the best-justified Best Picture Oscars in recent memory for Parasite. The darkly whimsical film that challenges the norms of the American and South Korean meat industries is very much its own thing, but fans of Parasite will recognize Bong’s mix of dark comedy, action, and hard-to-ignore social commentary. You can stream Okja here.
Guillermo del Toro’s Pinocchio (2022)
The director’s passion project, Pinnochio had a long road to the screen, but it’s hard to argue that it wasn’t all worth it. Set in fascist Italy between the wars, and told through stunning stop-motion animation, the beautifully moving film won a well-deserved Best Animated Feature Oscar. You can stream Pinocchio here.
Blame! (2017)
In the future, The City grows like a virus, endlessly in all directions, humans long since having lost control of the automated systems designed to run things. Those same systems now see views humans as “illegals” to be purged, so flesh-and-blood survivors are caught between the city’s murderous defense systems and the need to find food. One group of humans, though, is on the hunt for the existence of someone with a genetic marker that they believe will allow for access to the city’s control systems—a hunt lead by Killy, a synthetic human who might have the key. You can stream Blame! here.
This articles is written by : Nermeen Nabil Khear Abdelmalak
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